Whirling president

Okay, so the man who turned Hillary is now turning Turkey on its axis. No surprise. Obama overthrew Presidential candidate Hillary Rodham Clinton only to pivot her to his side Lincoln-style as his Secretary of State. Now, after charming grumbling heads of state in the EU, he manages to steer Turks 180 degrees with his winning ways.

How does he manage this people magic? Consult columnist extraordinaire Maureen Dowd:

Like a good shrink, the president listens; it’s a way of flattering his subjects and sussing them out without having to fathom what’s in their soul. “It is easy to talk to him,” Dmitri Medvedev said after their meeting. “He can listen.” The Russian president called the American one “my new comrade.”

And, good evidence from Asli Aydintasbas, former Ankara bureau chief of the newspaper Sabah, writing today in an op-ed piece in The New York Times:

Mr. Obama’s visit to Ankara was a carefully calibrated series of messages and symbolic gestures that spoke to Turkey’s different segments. He met with the government leadership as well as opposition leaders from secular, nationalist and Kurdish parties. He pledged to support “Ataturk’s vision of Turkey as a modern and prosperous democracy,” as he wrote in the guestbook at the mausoleum of the founder of secular Turkey.

In our eternal identity crisis, we Turks have lately been thinking only in opposites — that you are either secular or religious, Kurd or Turk, European or Middle Eastern. It took a young foreign leader on his first visit here to remind us that we are all of those things, and much more.

Twitter for the indie artist

Is Twitter useful for musicians? Since I added Twitter to my music artist strategy, with my release of “We’re America” and beyond, I decided to post a roundup of opinions on the subject.

Musician Steve Lawson, for one, gives tweeting a thumbs up, claiming successes in an interview on Andrew Dubber’s vimeo.com, saying that musicians must immerse themselves in Twitter. He does a good job of explaining the contextual nature of the technology. If a musician creates a story about his process of making music – the songwriting, recording, performing – he says, users will find him interesting. “Make it part of a narrative,” he says. In a post on his own blog, Lawson debunks misconceptions, saying Twitter has “substantially improved (his) life over the last year.”

A Bob Brown post on networkworld supports Lawson’s philosophy. Brown lists artists of all stripes who tweet, saying the majors tend to do a poor job, while indies who are more serious are also more interesting. Also check out Brown’s list of productive tools for twitterers.

The New York Times tech writer David Pogue covers the waterfront on the subject. His posts cover everything from photo criticism to tips for beginners.

If there is a bellwether on Twitter as a proven tool, it’s Ragan.com. Over the past year, hardly a day goes by without a headline on the topic. Ragan writer and social media guru Shel Holtz says the brevity issue is “a load of crap.” Rightfully, he explains:

Yes, the messages are short. But many tweets are just part of some greater content. Tweets direct you to blog posts, breaking news, videos, photos, just about anything you can find on the Net.

I, for one, am ready to discover the greater good of Twitter for the indie artist and will report further on the subject.

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