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About allenshadow

I am a novelist, poet, songwriter, recording artist, former journalist and public relations pro. Born and raised in the Bronx, I currently live in upstate New York. My artistic career has jogged from poet to Nashville songwriter to recording artist. When I released my debut album, "King Kong Serenade" earlier in this decade it was the culmination of all my experience as an artist. I had come full circle. I had finally married my poetic voice with my music. My lifetime has led me to what I am today, a rock poet. I always knew that’s where I was headed, but I had many stops to make along the way. It feels pretty good to have finally arrived. More about my career as a rock poet can be found on my Web site: http://allenshadow.com. My intent for this blog is to become a meaningful, useful part of the music and literary community. With decades of experience in both the music and writing fields to draw upon, I hope my posts will also help new artists and writers. I'll also be touching on the media and political scene along the way.

Damn dumb blondes

Brazilian President Luiz Inacio Lula da Silva yesterday blamed blue-eyed blondes for the world economic crisis. Said da Silva:

This crisis was caused by the irrational behavior of white people with blue eyes, who thought they knew everything and now show they know nothing.

Just what we need on the heels of Czech Prime Minister Mirek Topolanek, head of the European Union, calling the U.S. stimulus measures the “way to hell.” See “U.S. to EU: we don’t do ‘hell'” post below.

Likely international opportunism all, but disconcerting as much of the world now looks to the U.S. for the way out of this mess. Tom Friedman’s “Paging Uncle Sam” column states it perfectly. Not sure what color eyes Tom has.

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U.S. to EU: we don’t do ‘hell’

Okay, so this is how it works in the dysfunctional world we lead. The spoiled son embarrasses dad on the eve of the patriarch’s visit, knowing that pops’ll spring for the Wii he so wants just to shut him up.

So it is with Czech Prime Minister Mirek Topolanek, head of the European Union, who just blasted the U.S. stimulus measures as the “way to hell.

President Obama, as it happens, is scheduled to arrive in Prague in less than two weeks. And this Topolanek, who, by the way just received a vote of no confidence from his government, will be looking for more than a Wii, perhaps enough to fund a whole high-tech industry. You think?

Thank you EU leaders. Once again, just as we’re all trying to get along so like the world doesn’t crumble around us, you shoot off your hypocritical mouths again. Recall the French arrogance (did I leave off an accent grave somewhere?) post 9/11. We can still take the freedom fries out of the freezer, you know.

Now, here’s the height of irony on two counts:

  1. On March 1, The New York Times reported that top EU governments trashed the idea of ponying up to bailout newer, Eastern members. German Chancellor Angela Merkel, who is facing elections this fall, rejected it soundly.
  2. In the midst of the AIG bonus scandal — on the Ides of March no less — AIG reported a much larger and equally-controversial giveaway: some $49.5 billion to 22 banks, 16 of which are foreign, many European, including UBS, Deutsche Bank and Société Générale. (Oddly, this story went virtually unnoticed in the fog of the bonus scandal, but for limited coverage in such reliables as The Gray Lady.)

So let’s sum up: a Czech leader, who also happens to head the EU, is gaming Obama and America because his own neighbors, like Germany, whose banks received mucho American cash via the AIG bailout, won’t ante up.

And what’s worse is this plays the hell card as the world’s house of cards teeters on the brink. Nice! (and like Elaine’s boyfriend Jake on Seinfeld, I eschew exclamation points).

P.S. Reactions to this news can also be found on the Fayetteville Observer blog.

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The state of John Mellencamp’s mind

There’s a cornucopia of food for thought in John Mellencamp’s article “On My Mind: the State of the Music Business.” There’s much truth in this overview of the music business the past generation or two. It’s also rambling and contradictory, but, at best, is good grounds for discussion among music artists and industry people. I’ll be listening for feedback from his article and posting further comments along the way. BTW, for the record (no pun intended), I happen to love Mellencamp.

SXSW redux

The big show closed yesterday. Here are some more sites and blogs with good coverage. Spike.com had a big staff on the ground. Check them out for many live performaces and band interviews, including Waaves, VietNam, and The Black Lips.

Meanwhile, My Old Kentucky Home blog is stocked with photos and commentary. See stereogum.com for good coverage of Kanye West leading the G.O.O.D. Music showcase. And watch for coming coverage from coolfer.com. Glenn Peoples was on site, but “laptop-less.” Look forward to his take(s).

Noticed featured clips on YouTube over the weekend were ruled by SXWS performances. Nice play.

Power from the people

My friend Richie manages the Philippe Starck Building across from the New York Stock Exchange. They have a $23-million condo that’s wanting for a buyer (poor billionaires). I asked him if anybody was jumping from the windows yet. Apparently not.

The Sunday morning news coverage of the public furor over the AIG bonuses was instructive, if predictable, including David Gregory and company on Meet the Press on NBC, which was followed by Chris Matthews, who polled his panel on whether the bonus fallout would hamper Obama in his push for further bank-bailouts. The results were rather measured considering Congress’ need to sate the public outcry.

Let’s not underestimate the true meaning of the public anger. Certainly, the $165 million in AIG bonus payouts (although the Connecticut A.G. today ups that estimate to $218 million) can be seen as the proverbial straw, it is no less significant that other turning-point straws that fill the history books: the assassination of Archduke Ferdinand of Austria, Pearl Harbor, and “remember the Maine” or the “shot heard ‘round the world.”

That said, here’s what I think is happening and what will ultimately solve Wall Street’s excesses: the power of the people.

While that sounds quaint at first blush, people power is the latest disruptive technology, and it will rule Wall Street in the coming years the same way it has reshaped the music industry, the film and television industries, the advertising industry and the news industry. It is a force that is even larger than Wall Street.

Here’s what’s changed: I call it the trust factor. Since the industrial revolution (and certainly earlier), industry, the media and government controlled information. They may have taken the temperature of the public along the way and had to proffer lip service to obtain votes; but, collectively, they dictated the message. They had us having to trust them concerning how to conduct our affairs. I could put together a string of corporate slogans here, but I think you get the point.

Over the past decade, the trust factor has been turned on its head as the Internet has leveled the playing field, first flattening the music industry, then steadily rolling over several others.

Now, the curtain has been pulled back on Wall Street, and the complex and secretive way it has conducted business. When everyone was benefiting from the current model, big banks and insurance giants could get away with their Ponzi-style instruments.

But no more. The public trust has been broken, never to return. Now, the public will have trust flow from the public to the corporate world, in full. Its beginnings were sown in the corporate facebook pages we see today. I believe a new, disruptive model will be forged naturally from these events.

I suppose that’s a hopeful way to look at this mess we’re in. But isn’t that the same model that now elects our Presidents.

Oh, one more note on hope — some songs to help us through: Tom Paxton’s “I Am Changing My Name to Fannie Mae” and my own “We’re America.”

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SXSW Live

It’s SWSW time, and if you want to keep up with the action, there’s excellent coverage from some leading music journalists. New York Times writers Jon Pareles, Ben Sisario and David Carr report through the weekend from Austin in the Time’s Topics page devoted to the festival. Pareles, who is the Gray Lady’s chief pop critic, is a veteran whose coverage goes back to the glory days of Rolling Stone. He has a keen, well-rounded ear. In his coverage today, Pareles also adds a keen observation on the state of today’s music artist:

…musicians draw their audiences from people who chase down music in the news media, in blogs and on noncommercial radio stations — or maybe from a friend’s recommendation or a giveaway on a music downloading site.

Yes, the biz has been leveled via the Internet. That, of course, is the good news for the music artist. The bad, or at least difficult, news lies in making money. I’ll cite a few cases, both good and bad, in future posts that exemplify the money issue.

Back to SXSW coverage, try WIRE’s Underwire blog, with jottings from Eliot Van Buskirk and others. Today, he discusses band Choo Choo’s take on Twitter as a tool to connect with fans.

For an authentic view from the ground, try popwreckoning’s blog. Their writers will transport you, with reviews, band details and photos.

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Obama on Leno

Once again, the distractors, detractors and derailors found some fodder with Obama’s minor Special-Olympics gaff on Leno last night. Sarah Palin, for one, wasted no time pushing the train further off-track.

I mean, that’s a real softball, a giant pumpkin, in fact, for a golden opportunist such as she.

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Woody Guthrie, Eliot Spitzer, where are you?

We need Woody Guthrie. We need Will Rogers. Maybe the song “We’re America” can help save the economy and even Obama along the way, since I fear the current pandemic over A.I.G. and its bonus-spree could actually bring the President down, maybe not tomorrow, but by the end of his first term. Why? Because this has now become an official history-book style scandal, one that may just be worthy of a few paragraphs in the digital tome of some fifth grader circa 2030. Just watch CNN for an hour, any hour; just wade through today’s New York Times, USA Today; name your poison. Consequently, my quotes of the day:

Maureen Dowd really got her Irish up in today’s column in the NY Times. She gave some sage advice on just what Obama should tell A.I.G.:

We stopped the checks. They’re immoral. If you want Americans’ hard-earned cash as a reward for burning up their jobs, homes and savings, sue me.

New York Attorney General Andrew Cuomo said:

Their (A.I.G.’s) mythology starts with the false premise that these are irreplaceable geniuses.

Yes, I quoted the opportunistic Andy Cuomo (love his dad, though). But maybe what we need now are some tough prosecutor types. How about we recruit the NY AG, Janine Pierro, Nancy Grace and Eliot Spitzer (forget the hooker, we’re talking mercenaries here). How’s that for a goon dream-team. We’ll give ‘em all Louisville sluggers and send them knee-cap hunting over to the London countryside where the A.I.G. execs roam. It’ll only cost us $160 American for the lumber; the chutzbah comes free.
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Kansas City Star

Papa walked the great hall
of Union Station
learned to box the language
at the Star
on his way into the world’s war

on the cusp of Bird’s entry
into the warble of the world
from the flesh and iron
of Kansas City

yard town, hog center
breadbasket, whistlestop
9ths and 13ths and Vine
where the Western Auto sign
now blinks and punctuates
the Thomas Hart Benton landscape

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The ‘pre-release’ strategy

On the “We’re America” front, of timely significance is coolfer.com’s recent note regarding a “pre-release” strategy for singles tracks as employed by Rascall Flatts for it’s album, “Unstoppable,” which will be formally released April 7. As an indie artist, I’ve arrived at the same conclusion as I’ve come to embrace the iTunes-led track trend.

So, let the pre-release strategy of my “We’re America” song serve as an example for other artists. Note that the tune was written and produced during the past week as a solo single in response to the current political climate over the recession. So let’s workshop this here a moment:

•    artist releases single that must get out in a timely manner;
•    single is not as yet attached to an album;
•    yet single will be pre-released via social media;
•    then, formally released via both traditional and social media.

I won’t go into all the release details here, but will post the progression along the way, warts and all. With decades of music industry experience as both a Nashville songwriter and an indie artist and as a PR pro, I hope to bring something useful to the table.

Comments and suggestions are, of course, invited.