‘Gran Fury’ now on Juked

My short story Gran Fury now appears in the highly-rated online literary magazine Juked. The posting had been delayed due to COVID-related issues.

The story behind Gran Fury is interesting. The title, as some may have guessed, is taken from the Plymouth model manufactured in the 70s and 80s. To me the name was always evocative, and I took to noticing how beat the surviving cars seemed to be—a kind of irony on wheels. The vehicle first came to star in a poem of mine by the same name. Years later, I had the idea of how the poem itself could be repurposed in prose as the opening of a short story. The rest of the piece practically wrote itself. Since then, I’ve used at least two other poems as the basis for short stories. It’s nice when your work keeps on giving.

‘The Devon’ Published

Following is my most-recently published poem. It appeared in the literary magazine Waymark.

The Devon

The cup dropped from
the machine and teetered
till the syrup and
the seltzer mixed
and the cowboys
came around the bend
again and again
rifles erect
Indians on the run

My chin on my knees
skinny arms lashed
eyes ever wide
two Saturday matinee features
broken only by coming attractions
that would have to be seen
the war movies the dramas
the beach blanket bingos

I emerged from the slanted foyer
to the blinding afternoon
unsure who I was
knowing only
I wouldn’t always have to return
to the kasha-scented Bronx building
I would live in California someday
in the wild fake sunlight
I would I would

‘The Dream’: Poem Meets Painting

As part of Emerge Gallery’s upcoming “Art & Words: Ekphrasis” exhibit — a combination of art and poetry inspired by one another — I penned the poem “Dream,” which was inspired by Loel Barr’s painting “Leaving Kansas.”

THE DREAM

The dream that
comes in the barn
in the night
with Marie
and travels the road
when no one else
is admiring the purple heaven
thinking how someday
someday it might
part for us
might take us
yes just like that
everywhere and nowhere
all at once
the dream
the dream that is Kansas

Barr_Leaving Kansas

I will read the poem at a preview of the show, slated this Saturday, May 22, at 2 p.m. at the Saugerties Library, at 91 Washington Ave. The show, which opens May 6 at 6 p.m. at Emerge Gallery, 228 Main St., Saugerties, N.Y., will run through May 29. A special reading will be held at the gallery on Saturday, May 20, from 6 to 8 p.m.

‘July Arrested Me’

Studebaker_53

Big July arrested me
the little kid
with the skinny arms
urging the steering wheel
alone in the unlocked Studebaker
the sun exploding
off the taillight chrome
of the fat Buick parked ahead

Wanting so bad
to roll out into the world
I had only imagined
how it would feel
like sex probably
which I also
did not know
or flying

And I did somehow
when the brake released and
I began rolling backwards downhill
and for a long moment
was on a fear-struck joy ride
maybe the last of my little life
but I might see the farms of Iowa
wild horses
and the TV sunlight of California

If a rear tire hadn’t kissed the curb
setting me down hard from my cloud
back to rest on the East Bronx street
to the cry of “supper”

‘Wrecked Nash’

Upon viewing this beast, this tank, this dream of a car at a local auto show, I knew it was time to reprise this poem from my recent chapbook, “America, I’ll Have My Way With You,” followed by a rumination on the original experience, which appeared in a post here on 3/9/10.

Nash_Full Car

In the Wrecked Nash

Big stand of day lilies
in the July morning
the time when the trees
begin to hang
 
the country taxi
takes a bend on 23A
headed up the mountain
 
I was nine the summer
in Mahopac when the ambulance
came and took old man Figarelli
the guy who threw
hot water on the dogs
humping on the gravel roads
of the bungalow colony
 
later me and Leif
sat among the hornets
in the wrecked Nash
that listed in the weeds
 
we had the front seat
and the world
all to ourselves
the huge plastic wheel
the split windshield
the hot seats
 
we could make up anything
excursions to distant states
being Audie Murphy
home runs a mile high
deadmen flying through the trees

From ‘The Hot Ride’ (3/9/10)

A heat bomb hit me when I slid into my Chevy today, a welcome rapture after an icy winter in upstate New York. It took me right back to the tireless Nash that was heaped among the weeds in my boyhood, nested among toads and copperheads in a bungalow colony in Peekskill.

A James Deanish boy named Leif was my summer partner in crime. He was the true grit country boy, I, the city kid learning the ropes. We were just short of teenage, and that mechanical skeleton was our rocket to the moon.

We sat in the stultifying July sun, hornets circling; our souls exulted from the dusty upholstery scents as we took turns behind the hot steering wheel, the battered speedometer feeding our imaginations. The cracked and crazed sheet metal became a time machine, taking us on far journeys through states that were as yet unknown. Our young hearts baked and burned. Turn after turn, we explored, as if mapping out the rest of our lives.

I have no idea what happened to Leif after that summer. Year after year, my own soul baked on: in my father’s Studebaker, Dodge; in my first car, a 1948 Cadillac hearse. That black monolith took me to California and back twice, tracing every road I had imagined in that magical Nash.

It persists. I’ve since traveled the back roads of most states. I continue the journey every chance I get: Cross Creek, Savannah, New Orleans, Pueblo, Greensboro, Kansas City, Staunton, Barstow, Albuquerque. Somehow, it’s always just beginning, when the sun enwraps you behind the wheel.

America is in my blood, my bones, as evinced in my writing.

Shadow’s NY Times Story Included in ‘Best of 2015’

The piece I wrote as part of the New York Times “Walking New York” feature last spring is included in the Times feature: “2015: Our Best Visual Stories and Graphics.” The feature is published in today’s online edition.

To find my piece, click here, scroll down to the “Walking New York” story and search “Kovler”. Or, even simpler, click here, to read it (it’s a short piece) on this blog. I wrote this one under my given name, Allen Kovler vs. my penname, Allen Shadow.
Times_Best_2015

‘Hell City’ TV Pilot is Finalist

My Hell City TV pilot was selected as a finalist in the 2015 World Series of Screenwriting competition. Based on my novel by the same name, the pilot was chosen in the TV Drama Pilot category.
WSSC_signature_logo
Winners and finalists were chosen from more than 700 submissions worldwide. The Hell City series is based on my novel, a literary thriller about a search for homegrown jihadists, with unforgettable characters and an undercurrent of longing for a lost America. The novel can be found on Amazon.

Windy Hill

There was the country road
went on forever
me and Leif hurling rocks
swinging sticks
on the way to town

Weeds all sweated
gravel in our sneaks
Fords occasionally
even a Packard
long enough to make us dream
would the girls all be pretty as Renee
would we fly

Dusk back at the bungalow colony
Pete the jockey took us out on Thunder
bareback in the fields
nothing but the night birds now
Vesuvius beneath us
and the orange sun

Note: Windy Hill is part of my poetry series on summer.

The Red Apple Rest

Took a wrong turn and ran smack into my past: The Red Apple Rest, a way station for city travelers on their way to the Catskills, abandoned now for nearly 30 years. Had no idea she still existed.

The Red Apple Rest

The Red Apple Rest

Beautiful in her ghostly repose, she inspired this poem:

THE RED APPLE REST

Came upon her by accident
and as surprised as when
she loomed up at us
as we breached that far hill
in the Studebaker

The Red Apple Rest
that boyhood vision
ship-like
in all her sweeping glory
magic oasis for urban escapees

Snack bar windows yawning
for the idling Fords, Mercs and Greyhounds
engines hotter than Venus
dogs, malts, pastrami
loudspeakers and mothers’ calls

Free to roam and exult for a time
gape at the oddities
men with beards
girls with midriffs
until back in the oven car
stuffed with pillows and dishes
and dreams of an endless summer

 

Ode to the Lost Motels of the Jersey Shore

Exploring Seaside Heights, N.J., for the first time, and, sadly, I find no treasure-trove of midcentury motels like there are in Wildwood. Here, as testament, is an image of a Jeffrey L. Neumann painting of the Seashell Motel in Wildwood and my poem on the same subject (total coincidence, but not surprising, since Jeffrey and I cover the same beat: lost America).

 

"Sea Shell," a painting by Jeffrey Neumann

“Sea Shell,” a painting by Jeffrey Neumann

CHECKOUT AT THE SEA SHELL MOTEL

the caramel room
at the Sea Shell Motel
dollar store palm prints
and nicotine sills

cheap rum hangs in the shaft of sun dust
hula lamps hold the afternoon

dealings have come and gone —
Greek families, pimps, divorcees,
schmuck runaways, suicide watches

music plays no more
only murmurings and distant trucks
the scent of the bulldozer