Moon Landing is Backdrop to Song

To commemorate the 40th anniversary of the moon landing on July 20, 1969, I’m releasing the video of a song I wrote that includes that very scene as backdrop. The song is called “Miss America,” a raw tableau.

And how strange it is that the venerable Walter Cronkite, who defined that very moment, should pass right now. It’s as if he and Neil Armstrong will somehow launch into eternity together, in a fitting orbit.

I was in a second-rate hotel in Eureka, California the day the Apollo 11 crew landed. I was with my own merry band of pranksters on a cross country trip in my 1948 Cadillac hearse. As we descended into the hotel lobby, Cronkite’s voice crackled from a TV, saying something like, “What a great county…I just don’t understand these hippies…” The TV was a table model that sat on a broken Sylvania console. Behind these proceedings, a broken American Indian lumbered in the hot California sun. What an ironic scene. Could have been out of an Antonioni film.

The “Miss America” video is as raw as the song, which will be released on a forthcoming album. Here are the lyrics:

MISS AMERICA

Her cherry red lights in Tulane
her white fences in Springfield
her black gloves around your neck
dancing to “Cherry Pink and Apple Blossom White”
her white panties always only
a twirl away on the silver screen
her darker dreams always only
a thrill away on the back streets

Oh, Miss America
Oh, Miss America

Her John Garfield Joan Crawford face
in the clutches of industrial light
her cocktail lie under the nightclub table
her tires kissing always kissing the feremoned pavement
her cowboy stand on the drifting plains
her palaces of corn and artichoke queens
her dumb fuck Brooklyn hallways
stinging of Pampers and malt liquor dreams

We hung our balls from a Cadillac hearse
we were young and full of cream
we screwed a waitress in Barstow
to see her dessert hunger breath
we sang the Lord’s Prayer on Market Street
“Uncle John’s Band” in Birmingham
we blew our guts in a Eureka Hotel
the day they took a giant leap for mankind

Copyright Allen Shadow
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Waffle House

This country is a thrill ride. No shit — the roar of Macks and Peterbilts down Route 81 south through Maryland, Virginia, red diodes bleeding into the night. My wife and I just returned from a road trip: New York to North Carolina.

Sailing on traffic thermals along Virginia 220 toward Rocky Mount, Martinsville — shear hillsides, split Blue Ridge mounts, ghost cabins, Jesus on the AM, breakfast in Waffle House, eggs, grits, hash browns scattered and smothered.

Brings to mind a poem I wrote in Florida:

WAFFLE HOUSE

In the shrill light
against the black pearl glass
across the shimmering counter
large globe hanging

bearded rail of a man
hung over country eggs
hashbrowns

waitress in Christmas nails
flatchested, hardscrabble

“My momma and my sister
had nary any polish remover
so I scratched off the Santa
and the Christmas Tree”

man faces window
onyx oblivion
and Denny’s neon
in the West Florida night

Also calls to mind the paintings of Jeffrey L. Neumann – motels, bars, eateries. Take a wild ride through his Web site, where you’ll see roadside America at its best. Pictured here is “Lota Burger” (oil, 38” x 72”), a real gem.

"Lota Burger," an oil painting by Jeffrey L. Neumann

"Lota Burger," an oil painting by Jeffrey L. Neumann

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Bait and Blame in Iran

Surprise, surprise. Khamenei whitewashes, err, sanctions election of Ahmadinejad, warning opposition leaders that they will be “responsible for bloodshed and chaos,” if they don’t shut down opposition rallies. The blame baiting continues, following accusations from Iranian leaders of U.S. intervention. According to today’s HuffPost:

Iran directly accused the United States of meddling in the deepening crisis over a disputed presidential election and broadened its media clampdown Wednesday to include blogs and news Web sites. But protesters took to the streets in growing defiance of the country’s Islamic rulers.

In contrast, there may be division in the mullah ranks. The Lede blog recounts New York Times U.N. Correspondent Neil MacFarquhar’s report of an underlying power struggle among Iran’s clerics. He notes that lead cleric and former Iranian President Ali Akbar Hashemi Rafsanjani, a Moussavi supporter, may play a pivotal role:

One of the country’s most influential clerics, Mr. Rafsanjani has been notably silent since Mr. Ahmadinejad was declared the winner last week, and there has been speculation that Mr. Rafsanjani is in Qum trying to muster clerical opposition to the country’s leaders. But those reports are difficult to confirm with any authority.

Mr. Rafsanjani leads the 86-member Assembly of Experts, whose duties include endorsing the performance of the supreme leader, Ayatollah Ali Khamenei, who on Saturday called the election’s outcome “a divine blessing.” In theory, the group has the power to remove him, but that has never been done and any attempt to do so would probably further inflame the situation, analysts said.

The analysts say about a third of the Assembly members are loyal to Mr. Rafsanjani. Of the other members, perhaps a quarter are considered loyal to Ayatollah Mesbah Yazdi, a mentor to Mr. Ahmadinejad and a staunchly conservative figure who has suggested that allowing the public a voice in elections serves only to sully God’s laws. The rest are viewed as independents who could vote either way.

Meanwhile, Middle East expert Fawaz A. Gerges discussed social underpinnings in Iran yesterday morning on CNN, with John Roberts. A Sarah Lawrence professor, Gerges explained that young women and youth in general want more reforms than even the opposition leader Moussavi offers. He is an excellent source for cultural analysis in Iran. Gerges is a frequent CNN guest. Check out this transcript page from the day of the Iranian election. In it, Gerge provides good background on the workings of Iran’s culture today.
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Take the 6 Train

A remake of “The Taking of Pelham 1 2 3,” headed by John Travolta and Denzel Washington, also stars a most terrifying of icon, the New York City Subway. Director Tony Scott did a yeoman’s job of capturing the train’s “apocalyptic roar,” says New York Times writer Randy Kennedy.

For those who want to feel the gritty roar of Gotham’s rail in song, check out “Downtown,” a track — in more ways than one — from my album “King Kong Serenade.”

The song begins and ends on a Manhattan subway platform and has a mystic train snaking through its dark cityscape. When I recorded the song, I asked lead guitarist John Jackson (Bob Dylan and Lucinda Williams alum) to capture the piercing squeal of wheels braking on tunneled tracks. To my amazement, John got it down immediately, his vintage Gretsch cranked to 11.

The subway in question looms through other “Serenade” titles: “Mingus on the El Train…” in “Hopper’s Town,” for one.

And for more Bronx fare, check out Raymond de Felitta’s “City Island,” with Andy Garcia.
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The Car

His pipe smoke curled around the rearview
the plastic arc of the steering wheel
taking position on Kingsbridge Road
the carnival of souls and storefronts past Sedgwick
quited somehow in the womb of the Dodge
rolling through the world in a ship

University Avenue next
then Fordham Road, Webster
the paternal power, the V-8
the omniscient voyager
one day making California,
Oregon, Canada, Mexico, Tibet

I was a quite five year old
stacking the stool my grandfather made
into the turned-over dining room chair
driving it state by state
hour by hour
around the world

“He’s such a good boy”
visitors would say
“plays nicely by himself”
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Time Balm

Time. What is it?

Einstein didn’t really know, at least not for a long, well, time. Even then, he struggled with it greatly and questioned his own conclusions about it in the end.

You’re reading this, so you hardly have any, at least not the kind that will put a smile on your face in your coffin.

I just had a birthday and allowed myself to unplug, to stop blogging, tweeting, texting. I stood in the sun-drenched yard for a long time with my dog, winding down to child time, flower time, dog time. I still figured I needed some kind of clock to beat against, so I imagined the earth turning on its axis moment by moment for a whole day. I’d feel the earth turn then. I’d watch the lilacs grow.

Truth is it’s hard to be happy when you’re in a hurry. Sure you have some rushes, even giddy expectations of a project coming to fruition. But what about the message on the billboard: “Take time to be a dad today”? A dad for your daughter, your grandson, your dog; a husband for your wife.

There’s no denying the sacrifices demanded of success. Surely, since you’re reading this, you know them well.

It’s a complicated issue for us. For the artist, for one, keeping all pistons firing in the social-media engine can rob you of something else. On my recent song release project, I was so ensconced in pr upkeep that I hadn’t written a song or a poem in many weeks, nary a verse.

It made me sad and made me stop it all for a time and start writing again and sitting for awhile on the porch with my dog, watching the short-lived lilacs lifting on the thermals.

Just on the other side of our lilacs lies a neighbor’s house. A month back an ambulance came and took my friend David for his last roll down the driveway. Same age, David. He won’t have the luxury of bouncing along on his red lawn tractor anymore. I will. And I won’t forget that I have such privledges.

Happened to notice a number of articles recently that speak to various sides of the time question. One is New York Times’ John Tierney, writing on the science of concentration. Then, there’s The Times’ Judith Warner on adjusting expectations with age.

Also heard a think piece by Jeff Greenfield on the Mother’s Day edition of CBS Sunday Morning. His subject, which is unfortunately not captured online in video or text, was “Blackberry Mania.” He cited the Laputa society of Jonathan Swift’s “Gulliver’s Travels,” so consumed with their own deep thoughts they required floggers to keep them from crashing into themselves. All this led into a b-roll shot of pedestrians on cell phones and iPods.

With that image in mind, I’ll lead in to the ultimately closing act of all time, Bob Dylan. His current Rolling Stone interview is not available in its entirety online, so I’ll cite his golden quote here:

It’s peculiar and unnerving in a way to see so many young people walking around with cell phones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity. It’s a shame to see them so tuned out to real life. Of course they are free to do that, as if that’s got anything to do with freedom. The cost of liberty is high, and young people should understand that before they start spending their life with all those gadgets.

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Kansas City Star

Papa walked the great hall
of Union Station
learned to box the language
at the Star
on his way into the world’s war

on the cusp of Bird’s entry
into the warble of the world
from the flesh and iron
of Kansas City

yard town, hog center
breadbasket, whistlestop
9ths and 13ths and Vine
where the Western Auto sign
now blinks and punctuates
the Thomas Hart Benton landscape

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