My Hell City TV pilot was selected as a finalist in the 2015 World Series of Screenwriting competition. Based on my novel by the same name, the pilot was chosen in the TV Drama Pilot category.

Winners and finalists were chosen from more than 700 submissions worldwide. The Hell City series is based on my novel, a literary thriller about a search for homegrown jihadists, with unforgettable characters and an undercurrent of longing for a lost America. The novel can be found on Amazon.
Category Archives: writing
Windy Hill
There was the country road
went on forever
me and Leif hurling rocks
swinging sticks
on the way to town
Weeds all sweated
gravel in our sneaks
Fords occasionally
even a Packard
long enough to make us dream
would the girls all be pretty as Renee
would we fly
Dusk back at the bungalow colony
Pete the jockey took us out on Thunder
bareback in the fields
nothing but the night birds now
Vesuvius beneath us
and the orange sun
Note: Windy Hill is part of my poetry series on summer.
Elegy for Claude
We did take the world
Didn’t we, Niño?
Took all the dim bar light
And made it sing
Didn’t we, Niño?
Made the girls call our name
At least some of time
Didn’t we, Niño?
And even dared take the city lights
And bend them into dreams
Didn’t we, Niño?
And in the end
Knew for sure
How the gleam in your eyes
Would simply go on forever
We did know that
Didn’t we, Niño?
R.I.P. Claude Haton
My little brother
November 1, 1955 to July 19, 2014
Note: A benefit concert in Claude’s honor will be held August 1 in Cairo, N.Y. (proceeds go to scholarship fund for local high school students).
The Red Apple Rest
Took a wrong turn and ran smack into my past: The Red Apple Rest, a way station for city travelers on their way to the Catskills, abandoned now for nearly 30 years. Had no idea she still existed.
Beautiful in her ghostly repose, she inspired this poem:
THE RED APPLE REST
Came upon her by accident
and as surprised as when
she loomed up at us
as we breached that far hill
in the Studebaker
The Red Apple Rest
that boyhood vision
ship-like
in all her sweeping glory
magic oasis for urban escapees
Snack bar windows yawning
for the idling Fords, Mercs and Greyhounds
engines hotter than Venus
dogs, malts, pastrami
loudspeakers and mothers’ calls
Free to roam and exult for a time
gape at the oddities
men with beards
girls with midriffs
until back in the oven car
stuffed with pillows and dishes
and dreams of an endless summer
Ode to the Lost Motels of the Jersey Shore
Exploring Seaside Heights, N.J., for the first time, and, sadly, I find no treasure-trove of midcentury motels like there are in Wildwood. Here, as testament, is an image of a Jeffrey L. Neumann painting of the Seashell Motel in Wildwood and my poem on the same subject (total coincidence, but not surprising, since Jeffrey and I cover the same beat: lost America).
CHECKOUT AT THE SEA SHELL MOTEL
the caramel room
at the Sea Shell Motel
dollar store palm prints
and nicotine sills
cheap rum hangs in the shaft of sun dust
hula lamps hold the afternoon
dealings have come and gone —
Greek families, pimps, divorcees,
schmuck runaways, suicide watches
music plays no more
only murmurings and distant trucks
the scent of the bulldozer
Shadow in Online Edition of The NY Times
Just to clarify, my story appears in the online version of the “Walking New York” Magazine feature in The Times, and doesn’t appear in the print edition. If you’re looking, click here and search “Kovler” in your browser to find it quickly.
Shadow Published in New York Times
The New York Times published a piece I wrote as part of their Walking New York feature for this Sunday’s Magazine. In addition to a number of prominent writers, others were invited to submit a story of about 600 characters, and mine was one of few that made the cut.

I wrote about a boyhood adventure along the Grand Concourse, in the Bronx:
The Grand Concourse, Near Tremont
By Allen Kovler (aka Allen Shadow)
At 13, my friend Sammy and I would hike up the Grand Concourse all the way to Mosholu Parkway on a hot, sunny Saturday, equipped as if on an explorer-worthy trek, cargo pants pockets stuffed with sundries, Army canteens smacking our hips as we marveled at the sights: the bric-a-brac stores on Burnside, the Loews Paradise, the bustle of Fordham Road, the eerie tranquility of Edgar Allan Poe’s cottage, the home for the blind. Exhausted, we’d mount a bus back, hanging from the windows, still thrilled.
‘Checkout at the Sea Shell Motel’
When I first saw the paintings of Jeffrey L. Neumann, in a gallery in Hudson, N.Y., I could hardly contain myself. I knew I had discovered a simpatico artist, a realist painter whose images of a lost America — faded motels, eateries and roadside oddities — could have illustrated much of the nourish imagery of my poetry and fiction.
Then, recently, in a kind of artistic kismet, I discovered a poem I had written years before I happened on Jeff’s work. The poem was about a motel in Wildwood, N.J., the very same seaside relic Jeff had painted in 2009. I shared the poem with Jeff, who responded: “Wow. I can hear this set in Waitsonian (re: Tom Waits) phrasing.” He agreed to let me use the image of his painting “Sea Shell” for this publication.
My poem, accompanied by Jeff’s painting of the same subject, follows.
CHECKOUT AT THE SEA SHELL MOTEL
the caramel room
at the Sea Shell Motel
dollar store palm prints
and nicotine sills
cheap rum hangs in the shaft of sun dust
hula lamps hold the afternoon
dealings have come and gone —
Greek families, pimps, divorcees,
schmuck runaways, suicide watches
music plays no more
only murmurings and distant trucks
the scent of the bulldozer
Shadow to Read in Pueblo
I’ll be reading chapters from my second novel, “Puppet Girl” (now in progress), at the Pueblo Poetry Project, Wed., Jan. 22 at 7 p.m. The reading will be held at the Daily Grind Espresso Bar and Café, 209 S. Union Ave., Pueblo, Colorado.
This will be the sixth time I’ve been the featured reader at the Pueblo Poetry Project, which is in its 35th year. I’ll also be reading poems from my series, “I’ll Have My Way With You, America,” which will be released as a chapbook in the future. Meanwhile, “Puppet Girl” is a sequel to my first novel, “Hell City.”
Joel Scherzer and Robbie Rubinstein, publishers at Quick Books in Pueblo, have published my poetry, beginning with the chapbook, “Harlem River Baby,” which was first released in 1984 (and is now going into its second printing). They also edited “Hell City” and are currently at work editing “Puppet Girl.”
The Story Behind the Novel ‘Hell City’
Rome wasn’t built in a day, and neither was my debut thriller, “Hell City.” The Rap Sheet just published the story behind the novel. It’s all about how a boy with a car made of kitchen chairs drove around the world in his mind, then took his imagination on the road of life, steering it through stints as a poet, a newspaper reporter, a musician and, finally, a novelist.
Let’s go back to the era when this author was 5 years old, standing on a rooftop in West Harlem, marveling at the hard dark and light of the Meatpacking District while on a trip to my father’s bookkeeping office–trucks with half cows, men with blood-smeared aprons, crows wheeling under the vaulted girders of the West Side Highway viaduct. Then came the poems, during my college days and beyond. Poems that refracted the chiaroscuro of the city’s façades, the dolor of her teeming but lonely streets. Poems that found their way into many a small-press magazine, into chapbooks. Poems that caused Library Journal to cite my work for its “startling imagery.”
Along the way, I worked in the city’s warehouses, drove her cabs, wrote for her newspapers, and sang in her nightclubs. Her underbelly was my beat, forging a gritty, cinematic prose style.
Note: as part of a special promotion, my novel, “Hell City” can be downloaded free from the Kindle Store on Nov. 14 and 15 only.




